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I started doing a few projects within the program this past year, and there were times that I was able to use effects that took me thirty seconds which would have taken me five minutes in Premiere to execute. One of my favorite parts about Final Cut is its ability to take complicated editing tasks and condensing them into an incredibly easy to use, drag and drop effect. It may be joked about as being вЂњiMovie Plus,вЂќ but itвЂ™s actually got some serious horsepower behind its simple, friendly exterior. Even though I may be committing a cardinal sin amongst Premiere users for suggesting Final Cut over Premiere, IвЂ™m going to write this with as little bias as possible.ДЇinal Cut is a solid, simple editing platform. It was a gruesome battle between editors - I even almost got fired from a gig early in my career for arguing with my boss about using Final Cut over Premiere. I was brought up in the editing world during the heated battle between Final Cut and Premiere users.

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Incredibly difficult learning curve (seriously, you might have to buy a textbook)ДЇinal Cut Pro X is historically PremiereвЂ™s top competitor in the indie NLE market.

New, updated UX that is cleaner and easier to understand.

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incredibly powerful software that can handle feature-length projects.The choice of NLE for major productions and union editors.If you are serious about becoming an editor for a post house or grinding your way to entering the ACE guild, Avid is the right choice.

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And, I will say, after the upgrades in the recent update it looks a lot friendlier and modern compared to the blocky grey blob it used to be. ItвЂ™s still the overwhelming choice of NLE for most Hollywood-level productions due to its enterprise and project-sharing abilities. ItвЂ™s the workhorse of all of the NLEs out there. It wonвЂ™t blink at high resolution video, or shy away from a monster timeline. ItвЂ™s incredible at handling feature-length projects, and the organization tools inside of the program are hard to match. I trained in Avid in college, and as much as I hated slogging through the textbook and the antiquated features of the program, I grew to love it in a weird way.

VFX program does not match up to After EffectsДЄhh, Avid - the one NLE that editors love to hate.

Steep learning curve, and sometimes hard to understand UX.

No monthly subscription or upfront cost.

Gives you all the tools you need to make a professional edit in one program.Incredible industry-standard color correction and grading software within the program.

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If you want to learn more about DaVinci Resolve and get to learning it, download the program for free and follow along with our multiple tutorials by Lewis McGregor to get yourself acquainted. ItвЂ™s also a one stop shop for a professional edit, and has most (and in some cases, more) features than all of the Adobe suite programs combined.

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ItвЂ™s a full stop edit suite that can get down and dirty with a complicated timeline. With recent updates, itвЂ™s upgraded both Fairlight and Fusion VFX - their audio and VFX tabs within the program. The software also beats out AdobeвЂ™s Lumetri Color by a long shot. ItвЂ™s by far the top choice for professional color graders for correcting and grading footage. One of DaVinciвЂ™s biggest draws is its color correction and grading platform. WeвЂ™ve seen a huge uptick in creators switching over to Resolve due to its availability and reliability. ThereвЂ™s a big shift going on in the indie circuit when it comes to Resolve. IвЂ™m starting off with DaVinci Resolve because this is my absolute first choice for a free, incredibly powerful, and intuitive NLE. So, today weвЂ™re going to dive into all the choices you have on the market - their pros, cons, and price - so you can decide for yourself if you want to make the switch. Tons of creators are turning to these alternatives when looking for their preferred NLE. There are a plethora of choices out there that are either free to use or require an up-front cost. While Adobe may be the top choice of NLE for most indie filmmakers, DIY production houses, and beginners (and even the choice for large scale productions such as Gone Girl), the steep $50 per month subscription charge is enough to drive some people away from the highly-rated editing suite. Hesitant to throw down $50 a month to pay for an Adobe membership? Here are all the NLE alternatives that you have available to you - both free and paid.